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2019: Flatbed Press in Austin

So pleased to have been part of the early wave of female Texas artists that were invited to work at Flatbed Press in Austin. I used to do a lot of printmaking when I lived in Austin and Director Katherine Brimberry's enthusiasm for all things printed was contagious-Hope to be able to work with her again.  Robert Faires of the Austin Chronicle wrote a great article about the show "WOMEN OF FLATBED: A RETROSPECTIVE" which is currently on view at the Elisabet Ney Museum in Austin.

https://www.austinchronicle.com/arts/2019-01-11/celebrating-the-women-of-flatbed-press-at-printaustin-2019/

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2019: comma box

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2019: Park Ave Studios

Below are two of the several works I exhibited at PARK AVE STUDIOS in Savanah as part of a pop-up show organized by Ms. Sharon Norwood. The exhibition's theme was "Hyphenated-Nature" because I paired some of my on-site US made works with my "Hecho Con Cuba" series.

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2019: "Made in Texas", an exhibition with "Latino Art Now" in Houston

So pleased to be part of "Made in Texas", an exhibition that is part of the "Latino Art Now" symposium and events in Houston.  This show features Latinx women artists whose careers and production have been associated with Texas. All the works are drawn from The Gilberto and Dolores Cardenas Collection in Austin. Gilberto Cardenas, a professor of Mexican American & Latin American studies at both UT Austin & Notre Dame, has been a major figure in the exhibition, collection & promotion of Chicano & Latinx art for over 30 years.  Artists in the show include: Connie Aristmendi, Ana Fuentes, Santa Barraza, Claudia Elisa Zapata, Candace M. Briceno, Suzy Gonzalez, Melanie Cervantes, Paloma Mayorga, Irene Perez & Me-

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2019: Todd Art Gallery

What’s So Funny About the End of the World?- an exhibition at Todd Art Gallery, MTSU, Murfreesboro, TN.                            

Artists:  Chalet Comellas,  Patrick DeGuira,  Craig Drennen,  Lilian Garcia-Roig,  Kristi Hargrove, Ron Lambert,  Judith Rushin  & Clint Sleeper.

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2019: Residency at VCCA

Sneak-peek at some of the new Hecho Con Cuba works made during my 2-week residency at VCCA- Interesting how when I was working at the edge of the Blue Ridge Mountains I ended up making works about chasing the Caribbean picturesque in a post-utopian landscape by literally super-imposing the iconic Pinar del Rio Cuban landscape (with Cuban soil I turned into pigment from the Viñales Valley) onto the Modernist grid (which were based on the local house colors)-simultaneously embracing and rejecting "the grid"-

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2019: The Baker Museum

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Pleased to be featured in the NOV/DEC issue of the The Pennsylvania Gazette in their Arts section. The article was written by Danielle Braff.

You can read the full article on line at:

https://thepenngazette.com/imaginary-homelands/

Sneak-peek at some of the new Hecho Con Cuba works made during my 2-week residency at VCCA- Interesting how when I was working at the edge of the Blue Ridge Mountains I ended up making works about chasing the Caribbean picturesque in a post-utopian landscape by literally super-imposing the iconic Pinar del Rio Cuban landscape (with Cuban soil I turned into pigment from the Viñales Valley) onto the Modernist grid (which were based on the local house colors)-simultaneously embracing and rejecting "the grid"-

What’s So Funny About the End of the World?

- an exhibition at Todd Art Gallery, MTSU, Murfreesboro, TN.                                                                    Artists:  Chalet Comellas,  Patrick DeGuira,  Craig Drennen,  Lilian Garcia-Roig,  Kristi Hargrove, Ron Lambert,  Judith Rushin  & Clint Sleeper.

https://omart.org/exhibitions/2019_orlando_museum_of_art_florida_prize_in_contemporary_art/

https://www.facebook.com/OrlandoMuseumofArt/videos/vb.55260623619/411233306130958/?type=2&theater

YouTube video of the opening By Mark Kateli:

https://www.youtube.com/watch?v=TdPVj5w-oFY

Read the Orlando Sentinel's "Eyes on the Prize: Latest Florida Prize brings in artists from around the state" by Trevor Fraser at:

https://www.orlandosentinel.com/entertainment/arts-and-theater/os-et-florida-prize-orlando-museum-of-art-20190529-bbncxvez3fhlxml3bwglwrjet4-story.html

And make sure to hear the short video clip on the site by Trevore Fraser which talks about his favorite pieces-

Lilian Garcia-Roig: Featured Visual Artist for the 2019 MacDowell National Gala

Read a review of the show by Daniel Kany of the Portland Press Herald at https://www.pressherald.com/2019/03/24/art-review-contemporary-art-of-caribbean-highlights-fraught-history/

So pleased to be part of "Made in Texas", an exhibition that is part of the "Latino Art Now" symposium and events in Houston.  This show features Latinx women artists whose careers and production have been associated with Texas. All the works are drawn from The Gilberto and Dolores Cardenas Collection in Austin. Gilberto Cardenas, a professor of Mexican American & Latin American studies at both UT Austin & Notre Dame, has been a major figure in the exhibition, collection & promotion of Chicano & Latinx art for over 30 years.  Artists in the show include: Connie Aristmendi, Ana Fuentes, Santa Barraza, Claudia Elisa Zapata, Candace M. Briceno, Suzy Gonzalez, Melanie Cervantes, Paloma Mayorga, Irene Perez & Me-

Below are two of the several works I exhibited at PARK AVE STUDIOS in Savanah as part of a pop-up show organized by Ms. Sharon Norwood. The exhibition's theme was "Hyphenated-Nature" because I paired some of my on-site US made works with my "Hecho Con Cuba" series-.

Read more about that series on my website at:

http://www.liliangarcia-roig.com/wp-content/uploads/2017/09/HechoConCubaState.pdf

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http://joanmitchellfoundation.org/uploads/pdf/2018-WideningCircles-Web.pdf

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So pleased to have been part of the early wave of female Texas artists that were invited to work at Flatbed Press in Austin. I used to do a lot of printmaking when I lived in Austin and Director Katherine Brimberry's enthusiasm for all things printed was contagious-Hope to be able to work with her again.  Robert Faires of the Austin Chronicle wrote a great article about the show "WOMEN OF FLATBED: A RETROSPECTIVE" which is currently on view at the Elisabet Ney Museum in Austin.

https://www.austinchronicle.com/arts/2019-01-11/celebrating-the-women-of-flatbed-press-at-printaustin-2019/

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2018: Relational Undercurrents

RELATIONAL UNDERCURRENTS show extended through March 4.

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In a new review of Relational Undercurrents James Scarborough writes, "WHAT IF I JUST HAD 20 MINUTES? Once you understand how banyan trees grow from seeds that land on other trees and, over time, germinate and strangle their host, you'll better appreciate the incisive commentary of Lilian Garcia-Roig’s Fluid Perceptions: Banyan as Metaphor, 2016."- January 29, 2018Great to see that my painting was the first work prioritized to see if you only had 20 minutes to view the show-read the full review at:

http://perhapsperhapsperhaps.typepad.com/what_the_butler_saw/2018/01/relational-undercurrents-contemporary-art-of-the-caribbean-archipelago-museum-of-latin-american-art-.html

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2018: Cernuda Arte (HECHO EN CUBA)

Cernuda Arte will be showing my new HECHO EN CUBA paintings this year. A solo show of these works will open May 4 but a sneak preview is up now. These paintings were made on-site in, in the iconic Pinar del Rio region of Cuba....I was trying to (as literally as possible) follow in the footsteps of the great Cuban landscape painters...while still trying to do my own Cuban-American thing.

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2018: Enchanted Florida

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http://artandhistory.org/event/enchanted-florida-picturing-contemporary-landscape

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2018: Columbia “Relational Undercurrents”

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Other artists talking about their work that day are (from left to right) Lisa Soto, Anvil Gosine, Edgar Endress, & (not pictured) Carlos Martiel...also in picture below, curator Tatiana Flores and participating artist Nicole Awai.

https://wallach.columbia.edu/exhibitions/relational-undercurrents-contemporary-art-caribbean-archipelago

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