An ongoing body of perceptually based works which are done, on- site, at various locations across the country. Each painting is produced over the course of the entire day, in a wet-on-wet, cumulative painting manner.(usually 30” x 24” – 48” x 36”indivual canvases)

Similar to the Cumulative Nature Series but either painted at the largest scale I can manage (60”  x 48”)  and/or then grouped into new multi-panel works.

Examples of works produced at recent residencies I have attended.

A more research-based approach to painting on-site (in the same manner as Cumulative Nurture series) where I select locations with historical/cultural significance in order to connect to a place as it is now while pointing back to often lost histories and people who inhabited them- often these works are presented with the researched history of each site.

 A series of on-site acrylic on paper paintings that were made in the Vinales Valley of Cuba.

 A series of on-site acrylic on paper paintings that were made in the Vinales Valley of Cuba.

Works that combine my extensive American-based on-site painting practice with my new studio-based explorations of broader ideas of the Cuban landscape, migration and place/displacement- and offer a pictorial reconciliation between my Cuban and American identities.

This body centers on discovering links between my work as a painter and the scientific work of my great uncle, the renown Cuban botanist Juan Tomás Roig. My 2021 Guggenheim fellowship award supported some projects from this series.

Paintings from the Skykomish River in the Cascades Mountains of Washington State.